top of page

Fiddle Players and their Manuscripts

It is generally perceived that, since traditional music is an aurally transmitted culture, musicians did not regularly use standard written musical notation to record, teach or transmit their art. James O’Neill’s gift for transcribing tunes is well-known, but it was probably not as rare as is generally thought. Clearly his father John (1837 – 1883) was musically literate as Francis O’Neill recorded that James had several volumes of manuscript music compiled by his father (Irish Folk Music, Francis O'Neill, Chicago 1910, page 52).

 

In County Down many fiddle players from the mid 1800s were recording their music in their own hand-written manuscripts e.g.;

John Simpson (1836 – 1917)

John O’Neill (1837 – 1883)

William Hogg (1844 – 1915)

Robert James Quinn (1854 – 1930)

Willie Wallace (1860 – 1929)

James O’Neill (1862 – 1949)

Jimmy Ward (1865 – 1944)

James Coey (b. 1870)

Jimmy Edmond (1873 – 1935)

Davy Carse (1874 - 1964)

Arthur Coey (b.1881)

David Boyd (b.1884)

Addy Quinn (1885 – 1971),

Willie McCloy (1886 – 1959),

Jimmy McElroy (1892 – 1982).

The fiddle players noted above were all born in the 1800s – many more fiddlers born after 1900 were also musically literate.

Map showing where fiddlers, that were compiling manuscripts, lived and played their music.

Dancing Venues - Manuscripts1Rv4C.jpg
bottom of page